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link to read online articles
Fukuda, Norio (2008)
“Interview With Don Ritter” Sweet Dreams, Issue #2, Summer
2008. Tokyo, Japan, p.102-103
Cseres, Jozef (2008) “Co
ze se to dnes deje se zvuky v prostoru?” His Voice, #2. Prague,
Czech Rep.
Debatty, Régine (2007) "o telephone" we-make-money-not-art.com.
Berlin, Germany
Sherwin, Brian (2007) "Art
Space Talk: Don Ritter." Myartspace.com, New York, USA.
Indyke, Dottie
(2006) “Dana
Schutz, Charles Long, Don Ritter.” ARTnews. March.
USA.
Cseres, Jozef (2006) Herme’s Ear. Nové Zámky:
Kassák Centre for Intermedia Creativity. Slovakia.
McQueen, Kari (2006) “Beyond the Screen” Favascope,
2005-2006. Canada.
Bouchard, Gilbert A. (2006) , “Do
you have what it takes to be a leader -- or a demagogue?” Edmonton
Journal, March 27. Canada.
Fischer, Zane (2005) “Siting Laps.” Santa Fe Reporter,
September 28. USA.
Indyke, Dottie (2005) "Surrounded
By Art; SITE Santa Fe Show Makes Work Personal for Viewers,"
Albuquerque Journal,
September 23. USA.
Weideman, Paul
(2005) “Insider Art.” Pasatiempo, September 23. Santa
Fe, USA
Cseres, Jozef (2005)
Zenei szimulákrunok, Budapest: Magyar Mühely Kiadaó,
Hungary.
Breddels, Lilet (2004) “Vox
Populi,” Archis,
#6. Amsterdam, Netherlands.
Bouchard, Gilbert A. (2004) "Playing
in virtual four-lane traffic a tad unnerving,"
Edmonton Journal,
June 27. Canada.
Cseres, Jozef (2004) "Human
Body? Which One?" Modern Art, no. 117. Taipei, Taiwan.
Cseres, Jozef (2004) "Don
Ritter: Sound-art and Interactivity"
Slovak Radio,
http://www.radioart.sk/hyspace/visuo.php?id=105
Cseres, Jozef (2004) “Non-interactive Art is Dead: interview with
Don Ritter.” Magyar Mühely. Hungary.
Cseres, Jozef (2003) “Interaltivnym umenim za novú senzibilitu.”
Dart: Revue of Contemporary Art, issue 10. Slovakia.
Adams, Randy (2003) “Interactive Futures: New Stories, New Visions.”
Trace on-line, March 18,
United Kingdom.
Neural.it (2003)
“ O Telephone, amplificazioni su apparecchi modificati,” Italy
http://www.neural.it/nnews/otelephone.htm
December.
Cseres, Jozef (2002) Hudobné simulakrá (Musical Simulacra).
Bratislava: Music Centre Slovakia.
Wilson, Stephen (2001) Information Arts: Intersections of Art, Science,
and Technology. Cambridge: MIT Press. USA.
Rowe, Robert (2001) Machine Musicianship. discussion and movies
on CD-ROM. Cambridge: MIT Press. USA.
Mirapaul , Matthew (2001) “How Two Sites Plus Two Equals One Musical.”
The New York Times, Feb. 19. USA.
Crysler, Julie (2000) “Elephant Keyboard.” This Magazine,
vol. 33, #5. Toronto, Canada.
Cseres, Jozef (2000) "Neinteraktivne
umenie je mrtve/Non interactive art is dead" (Interview with
Don Ritter) Profil: Contemporary Art Magaizine, p. 52-55, volume
4; Bratislava, Slovakia
Serra, Catalina (1997) “Metronom inaugura su temporada con las <<intersecciones>>
acústicas de Don Ritter.” ABC-Cataluna, September
30, p.16. Barcelona, Spain.
“El artista Don Ritter inaugura una instalación sonora en
Metronom.” (1997)
in El Mundo-Cataluna, September 30. p. 4. Barcelona, Spain.
Serra , Catalina (1997) “Pesadilla en Fusina, 9” in El
Pais-Cataluna, October 10, p. 16. Barcelona, Spain.
Crysler, Julie (1996) "The
Interactive Art of Don Ritter" in Klangkunst. München:
Prestel/Akademie der Künst. Germany.
Kunzru, Hari (1996)
"Two Tribes" in Wired, UK edition; computer graphic image from
Ars Electronica 96, p. 31, Nov.
World Wide Video Festival (1996), "Don Ritter, Excity" The Hague,
Netherlands.
Interactive Video Artist Don Ritter Artist Profil (1996) Leonardo
Electronic Almanac, vol. 5, no. 5. USA.
Hudson, Sharon (1995) “Moma Will Be Proud.” Chug Magazine,
v.1/10. Chattanooga, USA.
L'aventure
Virtuelle (1995) exhibition catalogue for Images
du Futur '95, Montreal, Canada.
Johnson, Bruce (1994) "The
Interactive Systems of Don Ritter,"
press release for Sound Symposium, St. John's, Canada.
Sound Symposium 7 (1994) symposium catalogue,
St. John's, Newfoundland, Canada.
Farah, M .A. (1993) “Telematic Performance Loops Toronto and Quebec.”
Fuse Magazine, Toronto, Canada.
Farah, M .A. (1993) “Machines in the Garden: Interactive Video Art.”
Parallélogramme, Toronto, Canada.
European Media
Art Festival (1993) exhibition catalogue, Osnabruck, Germany.
Images du Futur '93 (1993) exhibition catalogue, Montreal, Canada.
Farah, M .A. (1992) “An Examination of the Untraditional Nature
of Ritter’s Fortex.” Volute, Montreal, Canada.
Rowe, Robert. (1992) Interactive Music Systems. Cambridge: MIT
Press. USA.
Newton, J. (1991) “Portrait of the Artist with a Difference.”
Computer Graduate World, Spring, p.3 and cover. Canada.
Leopoldseder, Hannes
Ed. (1991) Der Prix Arts Electronica Compendium, Linz, Austria.
Marre, Jeremy Director
(1990). On The Edge: Improvisation in Music, documentary film
on interactive video performance with George Lewis. Channel 4, London,
UK.
Jones, Andrew (1990)
"Horizontal Hold,"
Montreal Mirror, October 4, Canada,
Gann, Kyle (1990) “ Jail House Scholar.” The Village Voice,
March 27. New York, USA.
McGee, Micki (1989) “New Technologies: Perils and Pleasure.”
High Performance, Winter, Los Angeles, USA.
Vogt, Rainer (1988) “Die Kunst der Technik.” Stuttgart
Nachricht, July 18. Germany.
Otto Piene
und das CAVS (1988) retrospective catalogue,
Karlsruhe, Germany.
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